Repeatedly mentioned as creating/employing popular chord progressions:
- Buck Owens
- Harlan Howard (three chords and the truth)
| Scale | I | ii | iii | IV | V | vi | vii | VIII |
|---|---|---|---|---|---|---|---|---|
| Major | C | d | e | F | G | a | b | C |
| do | re | mi | fa | so | la | ti | do |
I = C Tonic (primary)
ii = D Supertonic (secondary)
iii = E Mediant (secondary)
IV = F Sub-Dominant (primary)
V = G Dominant (primary)
vi = A Submediant (secondary)
vii° = B Subtonic or Leading Tone (secondary)
I vi IV V I ( 1-6-4-5-1) (ice cream or Do Wap)
C a F G C
I III V I (1-3-5-1)
C e G C
I III V vii (1-3-5-7)
C e G b
I III V vii IIIm (1-3-5-7-3m)
C e G b em
I vi V I (1-6-5-1)
C a G C
I vi V vii I (1-6-5-7-1)
C a G b C
I IV V ( 1-4-5)
C F G
I IV V I (1-4-5-1)
C F G C
I IV V vii I (1-4-5-7-1)
C F G b C
I IV iv V (1-5-6-4)
C G Am F
II IV V (2-5-1)
Dm G C
I iii vi IV V (1-3-6-4-5)
C em am F G
I IV (1-4)
C F
I V (1-5)
C G
I IV V (1-4-5)
C F G
I IV V7 (1-4-5_7th)
C F G7
I iii V (1-3-5)
C Em G
I ii IV (1-2m-4)
C Dm F
ii V I (2m-5-1)
Dm G C
I IV I V (C-F-C-G)
I IV I V7 (C-F-C-G7)
I V IV V (C-G-F-G)
I IV V I (C-F-G-C)
I IV V IV (C-F-G-F)
I vi V IV (C-Am-G-F)
I vi IV V (C-Am-F-G)
I V vi IV (C-G-Am-F)
I vi ii V (C-Am-Dm-G)
I vi ii V7 (C-Am-Em-G7)
I vi iii IV (C-Am-Em-F)
I iii vi IV (C-Em-Am-F)
IV I IV V (F-C-F-G)
vi IV I V (Am-F-C-G)
I VI IV V (C-A-F-G)
ii V I vi (Dm-G-C-Am)
I vi ii IV V7 (C-Am-Dm-F-G7)
I vi ii V7 ii (C-Am-Dm-G7-Dm)
I ii iii IV V (C-Dm-Em-F-G)
I ii vi V I (C-Dm-Am-G-C)
I vi ii V I (C-Am-Dm-G-C)
I iii vi V I (C-Em-Am-G-C)
Jazz music uses 7th and 9th chords. So try the progressions above using 7th and 9th chords if you are into Jazz.
| Scale | I | ii | iii | IV | V | vi | vii° |
|---|---|---|---|---|---|---|---|
| Major | Major | Minor | Minor | Major | Major | Minor | Half-Diminished |
| Scale | i | ii° | III | iv | v | VI | VII |
|---|---|---|---|---|---|---|---|
| Minor | Minor | Half-Diminished | Major | Minor | Minor | Major | Major |
D C Bb A D
Use with Em (capo 2) or Am (capo 7)
Chord Components: https://dazwatsonmusic.weebly.com/uploads/1/2/0/6/120691504/how_to_play_chords_up_the_whole_neck_of_a_guitar_.pdf
https://www.guitarorb.com/forming-chords-from-scales/
"Basic Guitar Chord Progressions"
"Navigating the Emotional Landscape Through Chord Progressions"
- https://www.scales-chords.com/chord/guitar
- https://www.all-guitar-chords.com/chords/index
- https://jguitar.com/chordsearch
| Marker No. | 1 | 2 | 3 | 4 | 5 | 6 |
|---|---|---|---|---|---|---|
| Fret No. | 1st | 3rd | 5th | 7th | 9th | 12th |
| String 1 - e | F | G | A | B | C#/D♭ | E |
| String 2 - B | C | D | E | F#/G♭ | G#/A♭ | B |
| String 3 - G | G#/A♭ | A#/B♭ | C | D | E | G |
| String 4 - D | D#/E♭ | F | G | A | B | D |
| String 5 - A | A#/B♭ | C | D | E | F#/G♭ | A |
| String 6 - E | F | G | A | B | C#/D♭ | E |
| Marker No. | 1 | 2 | 3 | 4 | 5 | 6 | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Fret No. | 1st | 2nd | 3rd | 4th | 5th | 6th | 7th | 8th | 9th | 10th | 11th | 12th |
| String 1 - e | F | F#/G♭ | G | G#/A♭ | A | A#/B♭ | B | C | C#/D♭ | D | D#/E♭ | E |
| String 2 - B | C | C#/D♭ | D | D#/E♭ | E | F | F#/G♭ | G | G#/A♭ | A | A#/B♭ | B |
| String 3 - G | G#/A♭ | A | A#/B♭ | B | C | C#/D♭ | D | D#/E♭ | E | F | F#/G♭ | G |
| String 4 - D | D#/E♭ | E | F | F#/G♭ | G | G#/A♭ | A | A#/B♭ | B | C | C#/D♭ | D |
| String 5 - A | A#/B♭ | B | C | C#/D♭ | D | D#/E♭ | E | F | F#/G♭ | G | G#/A♭ | A |
| String 6 - E | F | F#/G♭ | G | G#/A♭ | A | A#/B♭ | B | C | C#/D♭ | D | D#/E♭ | E |