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Copy file name to clipboardExpand all lines: src/routes/(content)/explore/liminal-spaces/+page.svx
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"*Alice Eldridge and Chris Kiefer brought their Feedback Cello setup to Dialogues festival. This shared instrument has been augmented with some of the FluCoMa tools: the sounds of the cello are controlling a neural network, which is controlling parameters in the modular setup, which is modulating the sound of the cello. This feedback loop allows for a sublime, delicate performance and serves as a fascinating example of this unique type of instrument.*"
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You can learn more about Alice's and Chris's work for the project [here](/explore/eldridge-kiefer).
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## Sam Pluta & Peter Evans - Neural Duo
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<YouTube
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"*Long time collaborators Sam Pluta and Peter Evans deliver two exciting, energetic performances in Neural Duos I and II. Deftly overcoming the pre-recorded video format, this took nothing away from their performances which are striking in their complexity and richness. There is an intricate dialogue between the two musicians to be followed, a dialogue that is spoken with impressive virtuosity on two very different instruments.*"
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You can learn more about Sam's work for the project [here](/explore/pluta).
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## Alex Harker - Drift Shadow (performed by Niamh Dell)
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<YouTube
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"*Niamh Dell gives a beautiful performance of this stunning piece for oboe and live electronics by Alex Harker. Through the long, sustained gestures, we fall into a meditative state and allow ourselves to become enthralled in the delicate and inextricable relationship that begins to form between the instrument we have before us and the sounds within which we are engulfed. In this piece, we find ourselves delving into the inner essence of the oboe which is decomposed and reconfigured with the upmost subtilty.*"
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You can learn more about Alex's work for the project [here](/explore/harker).
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## Hans Tutschku - Sparks (performed by Mark Knoop)
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<YouTube
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"*Mark Knoop gives a captivating performance of this piece for piano and live electronics by Hans Tutschku. From beginning to end, the composer’s mastery of this format is very clear – the piece flows effortlessly between different sonic fabrics, from dense percussive explosions to richly harmonic suspensions. There is a perfect balance between the piano and the electronics. The processes that are explored give us the impression of leaving the performance with a greater understanding of this complex acoustic instrument.*"
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You can learn more about Hans's work for the project [here](/explore/tutschku).
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## Richard Devine - Constructors
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<YouTube
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"*Richard Devine draws us immediately in to this enchanting performance. The dense sonic textures are particularly evocative. The performer expertly entwines a complex, expansive modular setup with an array of bizarre, fascinating percussive instruments and pre-recorded material. We are met with an exceptionally gestural vocabulary – the whole system seemingly able to suspend itself in enticing tension before falling into intricate motifs of impacts and resonance.*"
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You can learn more about Richard's work for the project [here](/explore/devine).
Copy file name to clipboardExpand all lines: src/routes/(content)/explore/reactive-flows/+page.svx
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"*I've spent a possibly unhealthy amount of time over the last decade discovering that bowed cardboard can make some pretty cool noises, and that computers struggle with them.
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This is a new improvisation system for bowed box and electronics that attempts to 'learn' things about the sounds, and to transform and respond to them, driven by my playing.*"
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You can learn more about Owen's work for the project [here](/explore/raw-green-rust).
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## Olivier Pasquet - Herbig Haro (HH)
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<YouTube
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"*A solo improvisation on drums and electronics, using old and new software instruments to expand an already expanded drum set.*"
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You can learn more about Rodrigo's work for the project [here]().
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You can learn more about Rodrigo's work for the project [here](/explore/constanzo).
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## Leafcutter John - Line Crossing
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"*Line Crossing takes ideas commonly associated with generative visual art and applies them to the performance of musical material.
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Using a simple set of behaviours a graphical score is generated and used to control the playback and manipulation of sounds created by the performer.
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These sounds influence the score creation in real time which in turn affect the sonic output of the system creating an unpredictable feedback loop.*"
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These sounds influence the score creation in real time which in turn affect the sonic output of the system creating an unpredictable feedback loop.*"
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You can learn more about John's work for the project [here](/explore/burton).
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